Music And Labor
Music and Labor
Abfalter, Dagmar and Rosa Reitsamer, eds. 2022. Music as Labour: Inequalities and Activism in the Past and Present. Abingdon, Oxon: Routledge.
Bloustien, Gerry. 2016. “Music, Cities, and Cultural and Creative Industries Policy.” In Sonic Synergies: Music, Technology, Community, Identity. Gerry Bloustien, Margaret Peters and Susan Luckman, eds. London: Routledge.
Bryant, Katie. 2018. “Live Music Capital of the World? The Effects of Austin’s Urban Branding on Its Local Musicians.” Drott, Eric; Peterson, Marina, chairs. Honors Thesis. UT Libraries Online. https://repositories.lib.utexas.edu/items/c1036c17-69b3-418b-9dbf-3abfa79ac465/full
Giblin, Rebecca and Cory Doctorow. 2023. Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We’ll Win Them Back. S.l.: Beacon.
Harrison, Klisala. 2020. “Musical Economics of Urban Poverty: City Redevelopment and Gentrification in the Financing, Organization, and Interpretation of Music.” In The Handbook of Economic Ethnomusicology. Anna Morcom and Timothy Taylor, eds. Oxford: Oxford University.
Peters, Margaret. 2016. ‘Unalienated Labour’ and Creative Industries: Situating Micro- Entrepreneurial Dance Music Subcultures in the New Economy. In Sonic Synergies: Music, Technology, Community, Identity. Gerry Bloustien, Margaret Peters and Susan Luckman, eds. London: Routledge.
Sennett, Richard. 2008. The Craftsman. New Haven: Yale University Press.
Stahl, Matt. 2013. Unfree Masters: Recording Artists and the Politics of Work. Durham, NC: Duke University Press.
Tschmuck, Peter. 2021. The Economics of Music. Newcastle upon Tyne: Agenda Publishing.
United States Congress. The economic and employment impact of the arts and music industry: hearing before the Committee on Education and Labor, U.S. House of Representatives, One Hundred Eleventh Congress, first session, hearing held in Washington, DC, March 26, 2009. US Government Documents. https://www.govinfo.gov/content/pkg/CHRG-111hhrg48055/pdf/CHRG-111hhrg48055.pdf